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"Smooth Ingredients" the new CD www.curtishaywood.com

Saxophonist Curtis Haywood has always been in touch with the healing spirit of music. His earliest memory of his attachment to music is an anecdote his mother shares with everyone. “When I was about 5 or 6 years old, I received my first instrument – a trumpet. When it was bedtime I absolutely refused to go to bed without it. Now being of West-Indian descent, my parents were obviously not trying to have any ‘back mout' from dis here little child! Finally, convinced that they had lost the battle, they allowed me to sleep with my trumpet."

From that day forward, music has played an integral role in Haywood’s life. And on his self-titled debut as a solo artist, the former member of 1990’s band Joshua has found a strong voice of his own. “It's been a journey since my band broke up more than ten years ago, and it took a while ...

for me to rebound, adjust and confront my fears of being alone and to face the challenges this industry throws at you, but it was always a non negotiable burning call on my life,” s

ays Haywood of his decision to finally release his CD. Joining Haywood on the CD are a collection of some stalwart players in the jazz, gospel and R&B worlds, among them bassist Artie Reynolds (Kirk Whalum, Alicia Keys, Keith Sweat, Alex Bugnon.) Also on board are Ainsley Taylor on drums, Chris Fischer on keys, Willie Brown on guitar, and Paul Aponte on percussion. But it is Haywood’s haunting soprano ...

saxophone that gives the CD its voice and passion throughout a collection of 12 tracks that include sultry contemporary jazz originals and fresh arrangements of R&B favorites.

The three songs by other artists that Haywood selected to interpret come straight from his heart. “What can I say? I’m a hopeless romantic, so each song that I covered has to do with a different aspect of love.” The CD’s opening track, “Anytime,” says Haywood, “just screams heartbreak,” and speaks volumes of Haywood’s musical affinity for his namesake, the legendary R&B saxophonist King Curtis. Moving across the romantic spectrum, his rendition of Stevie Wonder’s “Creepin’,” conveys a sense of “deep passion,” and the well-known “Sunny” resonates with the light-hearted fun of friendship.

Haywood’s original compositions also speak eloquently of the man behind the music. The lyrical, buoyant “Heal Our Land” was, says Haywood, originally written in response to 9/11, but fully coalesced into a song of hope, expressed by the voices of a children’s chorus, in the aftermath of Hurricane Katrina. However, it’s in the rhythmic and soulful “Rain Song,” that Haywood’s dedication ...

to music as a healing force is fully expressed. “There is overwhelming evidence of Ethiopia being the cradle of all mankind. Simply put, all human life could very well have begun from this region of the earth. However, it is ravaged with famine and considered one of the world’s poorest countries, where people struggle daily for their most basic of needs,” he explains. “Rain Song” is as much about awareness as it is a call to action. Haywood also aligns himself with Feed the Children, which helps supply food for the people of Ethiopia and around the globe, donating portions of album proceeds to both charities.

Born and raised in Brooklyn, Haywood’s early love for music eventually led to his being chosen from some 5,000 candidates to attend New York's prestigious High School for the Performing Arts. He went on to attend Berklee College of Music in Boston, where he studied audio engineering. He counts among his musical influences Grover Washington Jr., David Sanborn, Bob Mintzer, Kenny Garrett, and his aforementioned namesake, 'King Curtis'.

Haywood’s work with his former jazz fusion group, Joshua has lead him to perform at the New Artist showcase at Capital Jazz Festival in Washington D.C., on the Christmas Holiday Tour with Grammy Award Winners “Take 6” at the International African Arts Festival NYC and at B. Smith’s Rooftop Café, for their CD release and several shows. In addition, he has performed on the stage or on the same bill with the following: Melissa Morgan, Melba Moore, Ray Goodman and Brown, Harold Melvin’s Blue Notes & The Intruders, The Temptations Review ( with Dennis Edwards), and The Temptations (with Otis Redding) Kirk Franklin, Sounds of Blackness and The Noel Pointer Band in concert with Dave Valentine.

Now, with the release of his self-titled debut solo CD, Curtis Haywood hopes to touch as many people as possible with the positive power of his music. “It may be a cliché, but I believe that music is truly a universal language, in that it transcends physical boundaries. That’s what I seek to do in my work as a musician, to speak to people spirit to spirit.”

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